Check out these cnc vertical machining images:
Sustenuto Monochord Logo Brand – Brian Eno Speaker Flowers Sound Installation at Marlborough House
Image by Dominic’s pics
View this virtual tour of 152 images as a Slideshow
Detail of a logo brand that appears on the wooden body of a Sustenuto Monochord built by the luthier Jon Dickinson.
The logo is indented like a fire brand. It is possible that it has been CNC (Computer Numerically Controlled) machined / milled into the timber. The darkening, or "scorched wood" appearance may be a wood stain painted on. The symbol is explored later in this set, and also the echoes it inspires can be seen in a separate set.
See also the related "Brian Eno 77 Million Paintings" set, – an exhibition that ran concurrently at Fabrica Gallery during the festival. View this virtual tour of 146 images as a Slideshow
This image is part of a set of photos of the Brian Eno Speaker Flowers Sound Installation at Marlborough House (and also of the house itself) on the Old Steine, Brighton, East sussex, UK. The exhibition was presented by Fabrica Art Gallery, as part of the Brighton Festival, May 2010. The installation includes the poems and words of Rick Holland.
The Grade I listed house was built circa 1765 , purchased at one time by the Duke of Marlborough, and substantially remodelled by the Scottish architect Robert Adam.
Marlborough House (My Brighton and Hove)
The Architecture of Robert Adam (1728-1792) from RCAHMS (the Royal Commission on the Ancient and Historical Monuments of Scotland)
Humberts Leisure Brochure on property [.pdf download]
Some of the photos in this set are presented in multiple versions made possible using HDR (High Dynamic Range) photography – these variations are displayed with more than one exposure, gamma, "local adaptation" compression or "unsharp mask" process.
Many rooms had their windows screened using coloured Crêpe paper / tissue paper. This gave their illumination a colour cast – which has been exaggerated (or neutralised) on an image by image basis. The actual experience of the coloured light was one of only a slight and soft hue.
In some instances the photos have modified to give an architectural, classical, "two-point" perspective – with forced, parallel verticals.